Cast Away Waltz


Introduction
Choreography
Notes
Music
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Author:
Alan Winston
Source:
Alan Winston
Formation:
Two couple becket set (see note)
Music:
Cast Away Waltz (Colin Hume, 2009)

A1
1-2
Partners curve in to meet neighbors (take hands with partner momentarily, then let go and take hands with neighbor)
 
3-4
Cast away from partner (men left, ladies right, letting go hands with neighbor, back to place facing partner into)
 
5-8
Partner gypsy left (end facing partner)
 
9-10
Neighbors curve in to meet partners (take hands with neighbor momentarily, then let go and take hands with partner)
 
11-12
Cast away from neighbor (men left, ladies right, letting go hands with partner, back to place facing neighbor into)
 
13-16
Neighbor gypsy right (end facing in to the set)
 
 
 
B1
1-2
Ladies change (pass right, Hole In The Wall/Well Hall style, end fairly close)
 
3-4
Men change (pass right and catch right hands, ladies joining their right hands for)
 
5-8
Star right (ladies start right foot, men left)
 
9-16
Partners close waltz 1½ around the other couple (ccw, end at home, facing partner)
 
 
 
A2
1-2
Partners meet (right shoulders)
 
3-4
Cast left back to place
 
5-8
Partner gypsy left (end facing neighbor)
 
9-10
Neighbors meet (left shoulders)
 
11-12
Cast right back to place
 
13-16
Neighbor gypsy right (end facing in to the set)
 
 
 
B2
1-16
Repeat B1
 
 
 
A3
1-2
Partners right-hand turn ½
 
3-4
Cast left back to place
 
5-8
Partner gypsy left (end facing neighbor)
 
9-10
Neighbor left-hand turn ½
 
11-12
Cast right back to place
 
13-16
Neighbor gypsy right (end facing in to the set)
 
 
 
B3
1-16
Repeat B1


© Alan Winston, 2002

Notes
1
Each person is on the corner of a square set, far away enough so that you cannot hold hands with either your partner or your opposite, but not too far. NB: The video on YouTube is NOT correct with regard to this. The diagram below shows the starting positions and the path for A1 Bars 1-4.
 
 
Cast Away Waltz Positions
 
 
 
 
2
When teaching, Alan suggests roughing in the general structure and then refining rather than telling people too much at once. When you get to the lead in (A1 bars 1-4), note that each person walks around a circle. You may also want to suggest that in A2 5-8 the ladies elongate the gypsy a little so that they arrive just in time to do the ladies cross. In A3, when casting back, the men can loop around each other inside the set.

Cast Away Waltz

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