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Michael Barraclough SIte

Minor set
Longways
Progress 1 place
For As Many As Will
Proper
Triple
Adaptation
ECD dance
FDC dance
by Ken Sheffield
Dance Instruction

Romp, The

Introduction

Adapted by:

Ken Sheffield

Source:

From Two Barns Vol 7, 1995

Formation:

Longways triple minor proper

Music:

Specific tune - Romp, The

Original Sources

Thompson 24 Country Dances For The Year:

1787

Thompson's compeat collection of 200 favourite country dances:

Vol 5 (1788)

Romp, The (original)

Choreography

Romp, The (dance)

© Ken Sheffield, 1985

Notes

Notes

1

Michael Barraclough says: Ken Sheffield has retained the triple minor/single progression formation as well as the figures for A1 & A2. The figures for B1 & B2 are 'inventive'.

Music

Romp, The (music)

© Ken Sheffield, 1985

Download

You are welcome to download this dance (PDF) for your private use. Ken Sheffield has made this dance available under the Creative Commons Licence and you will be asked to agree to the terms of that license before you download the dance.

Ken Sheffield text:

{jd_file file==864}

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Name

Pluck Me a Fig

Introduction

Author:

Anna Rain (2011)

Source:

Anna Rain

Formation:

Longways duple proper

Music:

Specific tune - Winter Oranges (Daron Douglas, 1985)

Choreography

A1

1-4

ALL CHANGE WITH CORNER: 2nd corners dance right shoulder around partner, into

5-8

Lead their partner into each other's corner's place

A2

1-4

ALL GO BACK HOME: 1st corners dance left shoulder around partner, into

5-8

Lead their partner into original place (end facing neighbor)

B1

1-4

Neighbor left shoulder back to back

5-6

All set forward to center, into

7-8

Turn single right out to place, into

B2

1-4

Circle left (zesty, keep hands with neighbor at end)

5-8

Set and link (see Note 1)

© Anna Rain, 2011

Notes

Notes

1

Set and link = set right & left, then change with neighbor turning single, 1st corners inside the set and 2nd corners outside the set

2

In A1 and A2, as each corner finishes dancing around their partner and heads back towards their home position, they hold out their trailing hand and take their partner's nearest hand to lead them around the minor set.

Music

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