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dancingmaggot.com Privacy Policy

Introduction

I, Michael Barraclough, care about the privacy of your personal information and am committed to protecting it. This Privacy Policy (Policy) explains what information I collect about you and why, what I do with that information, and how I handle that information.
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In plain English: I am responsible for protecting your personal information. This Privacy Policy applies to all your information obtained through your use of my website.

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In plain English: I automatically collect certain information about you when you visit dancingmaggot.com. I use this information to analyse your use of the Website and to improve dancingmaggot.com.

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In plain English: I will retain your personal information for no longer than is necessary. For more information, please contact me.

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In plain English: I may transfer your personal information to locations outside of the EEA, but only where there are appropriate safeguards in place. I may transfer your information outside the EEA if, for example, one of our service providers is located in such a location.

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In plain English: The dancingmaggot.com uses cookies to enhance your online experience. If you do not want to receive cookies, you can reject them by opting out or modifying your browser settings.

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In plain English: The dancingmaggot.com is designed to keep your personal information safe, however, I cannot guarantee the security of information transmitted over the internet or similar connection. You can do your part by keeping your password safe.

Your rights

Under the GDPR, you have various rights in relation to your Personal Information, such as the rights of access, rectification, restriction, objection, portability, and erasure. Please note that these rights are subject to certain limitations set forth in applicable law.
To exercise these rights, please contact me. I will seek to deal with your request without undue delay, and in any event in accordance with the requirements of applicable laws. Please note that I may keep a record of your communications to help me resolve any issues you raise.

In plain English: You have rights in relation to your personal information. Please contact me to find out more.

Complaint resolution

If you believe that I have not complied with this Policy or your data protection rights, you have the right to file a complaint with the &nbspUK Information Commissioner’s Office, however, I hope that you'll attempt to resolve the complaint with me first. Please contact me for more information.

In plain English: If you're not happy with the way I have handled your personal information, you have the right to bring a complaint. Please contact me to find out more.

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In plain English: The dancingmaggot.com doesn't show you targeted ads on other websites.

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The dancingmaggot.com includes links to other websites whose privacy practices are not under dancingmaggot.com 's control. If you submit Personal Information to any of those websites, your information is governed by their privacy policies. I encourage you to carefully read the privacy policy on any website that you visit.

In plain English: The dancingmaggot.com links to other websites, whose privacy practices may differ from dancingmaggot.com.

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The dancingmaggot.com does not intend to solicit or collect Personal Information from anyone under the age of 18. If you are under 18, do not register to use dancingmaggot.com . If you believe a child or yours under the age of 18 has entered Personal Information, please contact me to have the data removed and terminate the child's account.

In plain English: No one under the age of 18 should use dancingmaggot.com .

Changes to this Policy

I will occasionally update this Policy to reflect legal requirements and customer feedback. I encourage you to periodically review this Policy to be informed of how I am protecting your Personal Information.

In plain English: This policy may change from time to time and you are encouraged to review it regularly.

Contact information

I welcome your comments regarding this Policy. You can contact me by email, or write to me at:
Data Protection Officer dancingmaggot.com 3 Brownlow Close Poynton SK12 1YH.

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Cast Away Waltz

Introduction

Author:

Alan Winston

Source:

Alan Winston

Formation:

Two couple becket set (see note)

Music:

Cast Away Waltz (Colin Hume, 2009)

Choreography

A1

1-2

Partners curve in to meet neighbors (take hands with partner momentarily, then let go and take hands with neighbor)

3-4

Cast away from partner (men left, ladies right, letting go hands with neighbor, back to place facing partner into)

5-8

Partner gypsy left (end facing partner)

9-10

Neighbors curve in to meet partners (take hands with neighbor momentarily, then let go and take hands with partner)

11-12

Cast away from neighbor (men left, ladies right, letting go hands with partner, back to place facing neighbor into)

13-16

Neighbor gypsy right (end facing in to the set)

B1

1-2

Ladies change (pass right, Hole In The Wall/Well Hall style, end fairly close)

3-4

Men change (pass right and catch right hands, ladies joining their right hands for)

5-8

Star right (ladies start right foot, men left)

9-16

Partners close waltz 1½ around the other couple (ccw, end at home, facing partner)

A2

1-2

Partners meet (right shoulders)

3-4

Cast left back to place

5-8

Partner gypsy left (end facing neighbor)

9-10

Neighbors meet (left shoulders)

11-12

Cast right back to place

13-16

Neighbor gypsy right (end facing in to the set)

B2

1-16

Repeat B1

A3

1-2

Partners right-hand turn ½

3-4

Cast left back to place

5-8

Partner gypsy left (end facing neighbor)

9-10

Neighbor left-hand turn ½

11-12

Cast right back to place

13-16

Neighbor gypsy right (end facing in to the set)

B3

1-16

Repeat B1

Notes

1

Each person is on the corner of a square set, far away enough so that you cannot hold hands with either your partner or your opposite, but not too far. NB: The video on YouTube is NOT correct with regard to this. The diagram below shows the starting positions and the path for A1 Bars 1-4.

2

When teaching, Alan suggests roughing in the general structure and then refining rather than telling people too much at once. When you get to the lead in (A1 bars 1-4), note that each person walks around a circle. You may also want to suggest that in A2 5-8 the ladies elongate the gypsy a little so that they arrive just in time to do the ladies cross. In A3, when casting back, the men can loop around each other inside the set.

Music

Download

You are welcome to download this dance (PDF) for your private use. Please ask for the author's permission if you would like to publish it. Please would you also consider making a small donation to help with the maintenance, updating and extending this website.

MAB format:{jd_file file==829}

Original:{jd_file file==830}

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